Lionel Tertis - Biography
Lionel Tertis, CBE (29 December 187622 February 1975) was an English violist and one of the first viola players to find international fame.
Tertis was born in West Hartlepool, the son of Polish-Jewish immigrants, and initially studied the violin in Leipzig and at the Royal Academy of Music in London. There he was encouraged by the Principal, Alexander Mackenzie, to take up the viola instead. Under the additional influence of Oskar Nedbal, he did so and rapidly became one of the best known violists of his time, touring Europe and the USA as a soloist. As Professor of Viola at the RAM (from 1900), he encouraged his colleagues and students to compose for the instrument, thereby greatly expanding its repertoire. Composers such as Arnold Bax, Frank Bridge, Gustav Holst, Benjamin Dale, York Bowen and William Walton wrote pieces for him. The Walton piece was his Viola Concerto. However, Tertis did not give the world premiere of this Concerto as he found it difficult to comprehend at the time; that honour went to Paul Hindemith.
In 1906, Tertis was temporarily in the famous Bohemian Quartet to replace the violist/composer Oskar Nedbal.
He also owned a 1727 Montagnana from 1924 to 1937 From the Paris dealer, Maucutel & Deschamps in 1924, and took a chance in acquiring. According to his memoirs, it was "shown to me in an unplayable condition, without bridge, strings or fingerboard.... No case was available -- it was such a large instrument 17 1/8 inches -- so my wife came to the rescue by wrapping it in her waterproof coat, and that is how it was taken across the English Channel." Tertis preferred a large viola in order to get an especially rich tone from his instrument. Knowing that some would find a 17+ inch instruments too difficult to play he with the assistance of Arthur Richardson created the Tertis model Viola, which provides many of the tonal advantages of the larger instrument in a manageable 16-3/4 inch size.
Along with William Murdoch (piano), Albert Sammons, and Lauri Kennedy, Tertis formed the Chamber Music Players.
Tertis composed several original works and also arranged many pieces not originally for the viola, such as Edward Elgar's Cello Concerto. He was the author of a number of publications about string playing, the viola in particular, and his own life. They include Cinderella No More and My Viola and I.
Lionel Tertis died in Wimbledon, London. The Lionel Tertis International Viola Competition was established in 1980 to honor his memory.
In February 2007, the British violist Roger Chase (along with his accompanist, pianist Michiko Otaki) initiated "The Tertis Project," a series of concerts devoted to works composed for Tertis. Chase performs on the Montagnana viola that belonged to Tertis.
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Works
Original compositions
- Elizabethan Melody for viola and cello
- 15th Century Folk Song: 1452-Anonymous for viola, cello and piano
- Hier au soir for viola and piano
- Rêverie for viola and piano
- Sunset (Coucher du soleil) for viola (or violin or cello) and piano
- Three Sketches for viola and piano
- Serenade; revised as A Tune
- The Blackbirds (1952)
- The River
- A Tune for viola and piano (published 1954); 2nd version of Serenade
- Variations on a Passacaglia of Handel for 2 violas (1935); original work based on the Passacaglia by Johan Halvorsen
- Variations on a Four Bar Theme of Handel for viola and cello
Transcriptions, arrangements and adaptations
For viola and piano unless otherwise noted
Original composer | Title | Remarks |
---|---|---|
Anton Arensky (1861–1906) | Berceuse | |
Johann Sebastian Bach (1685–1750) | Air on the C-String | original from Orchestral Suite No.3 |
Aria "Come Sweet Death" | from Cantata 191 | |
Adagio from Toccata in C Major | published 1935; original for organ | |
Ludwig van Beethoven (1770–1827) | Menuet | published 1912; original for orchestra; from 12 Menuette, WoO 7 |
Theme and Variations (on Mozart's "Ein Mädchen oder Weibchen"), Op.66 (1796) | original for cello and piano | |
Johannes Brahms (1833–1897) | Minnelied, Op.71 No.5 (1877) | original for voice and piano |
Wir wandelten for violin or viola and piano, Op.96 No.2 (1884) | original for voice and piano | |
Willy Burmester (1869–1933) | Französisches Lied aus dem 18. Jahrhundert (French Air from the 18th Century) (1909) | original for violin and piano |
Eric Coates (1886–1957) | First Meeting: Souvenir | |
Frederick Delius (1862–1934) | Caprice and Elegy for viola and orchestra (1930) | original for cello and orchestra |
Double Concerto for violin, viola and orchestra (1915–1916) | original for violin, cello and orchestra | |
Serenade from the drama Hassan (1920–1923) | ||
Sonata No.2 (1922–1923) | original for violin and piano; 1929 transcription | |
Sonata No.3 (1930) | original for violin and piano; 1932 transcription | |
Ernő Dohnányi (1877–1960) | Sonata in C minor, Op.21 (1912) | original for violin and piano |
Edward Elgar (1857–1934) | Concerto in E minor for viola and orchestra, Op.85 (1918–1919) | original for cello and orchestra |
Gabriel Fauré (1845–1924) | Après un rêve | original for voice and piano |
Élégie for viola and orchestra, Op.24 | original for cello and orchestra | |
Baldassare Galuppi | Aria Amorosa | |
Edvard Grieg (1843–1907) | Ich liebe Dich (I Love But Thee!), Op.5 No.3 (1864–1865) | original from Hjertets Melodier, 4 songs for voice and piano |
George Frideric Handel (1685–1759) | Arietta | published 1910; transcription (violin and piano) by Hamilton Harty of "Si che lieta goderò" from Rodrigo; viola part by Tertis |
Sarabande | transcription of "Sorge nel petto" from Rinaldo | |
Sonata in F major (Adagio and Allegro) | original for violin with basso continuo | |
Joseph Haydn (1732–1809) | Capriccio | published 1912; transcription (violin and piano) by Willy Burmester from String Quartet No. 49, Op. 64 No. 2; viola part by Tertis |
Menuet | published 1912; original for orchestra; transcription (violin and piano) by Willy Burmester from Symphony No. 96; viola part by Tertis | |
John Ireland (1879–1962) | The Holy Boy | published 1918 |
Sonata in G minor (1923) | original for cello and piano; 1941 transcription | |
Sonata No.2 in A minor (1915–1917) | original for violin and piano; 1918 transcription | |
Fritz Kreisler (1875–1962) | La Chasse, Caprice in the Style of Cartier | original for violin and piano |
Franz Liszt (1811–1886) | Liebestraum No.3 in A major, S.541 (c.1850) | published 1954; original for piano |
Étienne Méhul (1763–1817) | Gavotte | published 1912 |
Felix Mendelssohn (1809–1847) | Duetto | original for piano: Song without Words, Op.38 No.6 (1836) |
Fleecy Cloud | original for piano: Song without Words, Op.53 No.2 (1838) | |
Gondola Song | original for piano: Song without Words, Op.19 No.6 (1830) | |
On Wings of Song, Op.34 No.2 (1835) | original for voice and piano: Auf Flügeln des Gesanges | |
Spring Song | original for piano: Song without Words, Op.62 No.6 (1842) | |
Sweet Remembrance | original for piano: Song without Words, Op.19 No.1 (1831) | |
Wolfgang Amadeus Mozart (1756–1791) | Menuet | |
Sonata [No.22] in A major, K.305: Allegro molto; Tema con variazione | original for violin and piano | |
Gabriel Pierné (1863–1937) | Sérénade, Op.7 | original for piano |
Anton Rubinstein (1829–1894) | Melody in F, Op.3 No.1 (1852) | original for piano |
Camille Saint-Saëns (1835–1921) | Melody for viola or violin or cello and piano (1959) | |
Franz Schubert (1797–1828) | Ave Maria, Op.52 No.6 (D.839) (1825) | original for voice and piano |
Du bist die Ruh, Op.59 No.3 (D.776) | original for voice and piano | |
Nacht und Träume, Op.43 No.2 (D.827) | original for voice and piano | |
Robert Schumann (1810–1856) | Abendlied (Evening Song) in D major, Op.85 No.12 (1849) | original for piano 4-hands |
Romance, Op.28 No.2 | original for piano | |
Schlummerlied (Slumber Song) in E major, Op.124 No.16 | original for piano | |
Cyril Scott (1879–1970) | Cherry Ripe | |
Alexander Scriabin (1872–1915) | Étude, Op.42 No.4 | original for piano |
Karol Szymanowski (1882–1937) | Pieśń Roksany (Chant de Roxane) | from the opera Król Roger |
Pyotr Ilyich Tchaikovsky (1840–1893) | Chanson triste, Op.40 No.2 | original for piano |
June (Barcarolle), Op.37b No.6 (1875–1876) | original for piano | |
None But the Lonely Heart (also entitled A Pleading), Op.6 No.6 (1869) | original for voice and piano | |
Francis Thomé (1850–1909) | Sous la feuillée, Op.29 | original for piano |
traditional | Londonderry Air "Farewell to Cucullain" for viola or violin and piano | |
Old Irish Air for viola or violin and piano | ||
William Wolstenholme (1865–1931) | Allegretto in E major, Op.17 No.2 | published 1900; original for organ |
Canzona in B major, Op.12 No.1 | original for organ | |
Die Antwort (The Answer), Op.13 No.2 | original for organ | |
Die Frage (The Question), Op.13 No.1 | original for organ | |
Romanza, Op.17 No.1 | published 1900; original for organ |
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External links
Other reading
- John White, Lionel Tertis: The First Great Virtuoso of the Viola (Woodbridge: Boydell Press, 2006)
- Tully Potter, "Chase Fulfilled", The Strad, August 1988.
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